> One movie that comes to mind that combines noir, a
private eye and nukes
> is the great Kiss Me Deadly.
For a discussion of noir writing in the context of paranoia,
nuclearity
and the cold war, see Woody Haut, _Pulp Culture_ (Serpent's
Tail, 1995).
Look out too for Haut's follow up, _Neon Noir_ (Serpent's
Tail, 1999)
which concentrates on noir from the 1960s to the 1990s.
ED
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